Parallel Sounds StudioRecord with some of the Midwest’s best engineers.
With us, you’re guaranteed to leave with a project you’ll be proud of.
Phil Sapanaro, the owner and Lead Engineer of Parallel Sounds Studio, has been mixing for over 8 years and specializes in the Pop, Hip-Hop, and RnB genres.
$70/hr
Tony is an engineer and musician of 5 years. As a fan of all genres, he’s recorded and mixed for countless artists and bands in his home studio, with a passion for an artistic mix.
$50/hr
Steven has been an engineer for 4 years; specializing in hip-hop, pop, and R&B. Beginning his career by mixing for friends in his apartment, he has since refined his abilities and personal style.
$50/hr
Quang Le is a Music Producer and Recording Engineer. He has been producing & mixing for over 4 years. He specializes in the Pop, RnB, and EDM genres.
$40/hr
Record with us and utilize some of the best equipment in the industry.
WA-U87
Telefunken Copper Head
Lauten Audio FC387
Mojave
Avid Pro Tools 2019
UAD
Valhalla
Waves Audio
Isotope
SSL
FabFilter
IK Multimedia
Antares AutoTune
Slade Digital
Avatone Mix Cue
Reftone Mix Cue
Genlec 830A
NS10s
Dynaaudio BM15s
JBL 15-inch Loud Speakers
Neve 511
Apollo Twin
Herdedram 200
Clarity Stereo Image Reader
Avid S3 Mixing Console
Soft Tube NK2 Console
Octocore DSP Processing for UAD
Don't see a time that works for you? Please email mixedbyphilip@gmail.com or text us at (586) 275-7751
Phil Saponaro, the owner and Lead Engineer of Parallel Sounds Studio, has been mixing for over 8 years and specializes in the Pop, Hip-Hop, and RnB genres. Having studied under Michael Ashby, who’s known for his work with Cardi B and several of his Grammy winning mixes, Phil brings significant skill, workflow speed, and creative input to each and every one of his sessions. Phil has worked for various studios from NYC to the Midwest, but is finally making the studio of his dreams, right here in Metro Detroit. Phil pulls a ton of inspiration from his favorite engineer, Jaycen Joshua, when mixing his favorite genres.
